Takashi Murakami Quotes

"The theme my generation explored was the relationship between capitalism and art."

"I stopped worrying about competition in contemporary art. It feels a little bit more pure. That's where I am, one step back."

"For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own."

"When I was little, my parents belonged to a cult, a big Buddhist sect called Soka Gakkai. I didn't have any particular sentiment for or against religion, but I did feel bad about my parents' poverty and how it made them depend on that cult."

"I always have stress."

"The works I made at the start of my career rely on the themes of war, atomic power, and outer space."

"My Miyoshi studio in Japan is located in the northern part of Saitama, which puts it in quite close proximity to Fukushima. As such, we can feel the effects of radiation."

"If I have a certain opinion, I try to incorporate that into my work."

"I tried to teach myself to draw anime, but I was so bad."

"When I was making my debut as an artist, I felt that it was very important that I try to combine the background of my own culture, my people, and the country into the contemporary art world. So that's how I came up with the term 'superflat.'"

"My company, Kaikai Kiki, is unique because it's an art business. I had to find out how to do this by myself."

"My mum and dad were a little like tiger parents. I hate that, but at the same time, I am a little bit proud."

"Every day, I have new ideas. It makes my brain tired, so I spend time taking care of company quality, finding new artists, and taking care of the young artists."

"I've been immersed in manga since I was a kid. I grew up with this culture."

"Japanese people accept that art and commerce will be blended; and, in fact, they are surprised by the rigid and pretentious Western hierarchy of 'high art.'"

"Rather than a big figure, I guess you could say I'm more of an influential minority symbol."

"In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art."

"I actually feel like the phrase 'big in Japan' is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan."

"In Japan, I focus mostly on sending messages through Twitter, trying to spread my minority way of thinking."

"Like many other kids, I liked watching anime."

"Manga uses Japanese traditional structures in how to teach the student and to transmit a very direct message. You learn from the teacher by watching from behind his back. The whole teacher-master thing is part of Asian culture, I think."

"It's true that I pick up many ideas from different Japanese things."

"I'm always very interested in breeding. Raising cacti is breeding. My lotus plant collection is breeding. The insects are breeding."

"Our family was poor, but my parents gave us money for education."

"In Japan, after having lost World War II, the hierarchy that used to exist in the society, from the rich to the poor, has been flattened, especially by the winners, by Americans. As a Japanese artist debuting in America, I really had to bring that kind of theme into the work."

"In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class."

"I don't think it's an unnatural thing at all for my collaborations or projects to be seen as art but entertainment at the same time."

"I don't always enjoy curating, but I do believe it's part of my job. It's a good exercise for my brain, like warming up. Just focusing on my work would be so depressing! For me, curating is necessary - it's like physical training."

"As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose, deboned feeling prevalent in the character and animation culture. Mixing all those up in order to portray Japanese culture and society was my work."

"I grew up in a low-income area of Tokyo. Like most homes in Tokyo, ours was small. It was a free-standing, two-family rental duplex built 30 years earlier."