Ian Rankin Quotes

"My father worked in a grocery store. When the grocery chain went into administration, he eventually got a job in the naval dockyard in an office preparing the charts for the boats and the submarines before they headed out."

"You need a great idea, but then you've got to carry it through. If you get it right, you're going to be a critical success. But not everyone who works hard gets it right, or has the success they deserve: there's an element of luck."

"I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about that by thinking about something from the past. How has society changed, how has policing changed, have we changed philosophically, psychologically, culturally, spiritually?"

"My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer."

"I am, of course, a frustrated rock star - I'd much rather be a rock star than a writer. Or own a record shop. Still, it's not a bad life, is it? You just sit at a computer and make stuff up."

"The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern."

"My mother worked in a school canteen - then worked in the canteen of a chicken factory. Every Friday, the pay packet money would be allocated to cover bills."

"In 1991, I won the Chandler Fulbright Prize, which came with $20,000 and the stipulation of spending six months in the U.S."

"I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.'"

"I don't have many friends. It's not because I'm a misanthrope. It's because I'm reserved. I'm self-contained. I get all my adventures in my head when I'm writing my books."

"I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice."

"No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say."

"I dunno whether it was to do with my parents - we were working-class - but it was important to me to be self-sufficient."

"I don't think I have one particular favourite writer. I have many whose works I will always buy or reread - Muriel Spark, Anthony Powell, Robert Louis Stevenson, Ruth Rendell, James Ellroy, William McIlvanney, Kate Atkinson, John Burnside, Louise Welsh, Iain Banks."

"I grew up in a family that was working-class, which taught me to be careful with money."

"I'm not Rebus. We're not the same. I don't even think he'd like me if we met. He'd think I was a wishy-washy liberal."

"I still think most writers are just kids who refuse to grow up. We're still playing imaginary games, with our imaginary friends."

"I think writers have to be proactive: they've got to use new technology and social media. Yes, it's hard to get noticed by traditional publishers, but there's a great deal of opportunity out there if you've got the right story."

"Right from the very beginning, I knew I wanted to write palpably Scottish fiction."

"I wrote my first short story for a competition and won second prize. Another competition came up and I won first prize. The first story was published in a newspaper. The second went out on radio."

"At all times, think like a writer, and keep those antennae twitching - that way, you pick up new ideas."

"I wanted to be able to support myself without begging for handouts from the state. All of the writers I knew when I was a student were all getting grants from the Scottish Arts Council."

"I don't want the books to become PR exercises for the police; I want to have the freedom to write about cops who cross the line: bad cops."

"I don't hang out with cops."

"I have a strong work ethic, yet I'm incredibly lazy as well. The problem with being a writer is that everything you do can be called research. Sitting in the pub is research. Reading the newspaper can be research."

"My parents were working class and didn't have much money, so holidays tended to be two weeks in a caravan at St. Andrews or a B&B in Blackpool."

"When I was in my early 20s and still at uni, I won a short-story competition: £200 was the prize."

"I go to Canada at least every two years."

"'Jekyll and Hyde' I read in high school. I was expecting a Hollywood-type horror story and couldn't believe it when I got this very complex narrative from all these different points of view."

"I would have loved to have been a rock n' roll star. But none of us was musical, and none of us had any instruments."